Continuing on from last week’s blog on how to get your artwork ready for an exhibition, this week I am looking at how to hang a group exhibition. These days if we want to know something, we generally ‘Google’ it. I did just that when embarking on this blog but I could not find anything about hanging a mixed exhibition. Maybe it is expected that, being artists we should already know about this stuff, but it is not straight forward. There are things which need to be considered in order that it works. This is how I approach hanging a … Continue reading How to hang an art group exhibition
Change – how to cope with it and embrace it. It is that time of year when it is all change. Here in England, the children are going back to school, my wonderful flower boxes are beginning to look disheveled and the leaves on the trees are just beginning to turn. Summer is coming to an end and thoughts of knuckling down to tidy up and get ready for winter are on the ‘to do’ list. Over the summer I took an amazing art course which taught me so many new things in such an easy to assimilate way that … Continue reading Change and how to cope with it
Last week I visited the Dulwich Picture Gallery in South London to see the ‘Modernist British Printmaking’ Exhibition, which showcases pioneers of British lino-cut printmaking in a fine display of prints, drawings and posters created in the 1930’s. By Claude Flight First, let me tell you about the venue. Dulwich Picture Gallery is the world’s first public art gallery which was founded in 1811 when Sir Francis Bourgeois RA graciously bequeathed his collection of paintings by old masters, “for the inspection of the public”. And what a collection. One of my all-time favourite paintings by Rembrandt – … Continue reading Dulwich Gallery Print Exhibition
This week’s blog is mainly aimed at those of you who will be exhibiting in some form of Open Studio event in the next few months. Hopefully those of you who love to attend will gain a better understanding of what we put ourselves through to make these exhibitions worth visiting. So, as I prepare in the coming week for my Open Studio, with Surrey Artists Opening Studios, starting next Saturday, 1st June, I wanted to discuss here what you need to do to prepare for this event. You will probably have marketing materials supplied by the organisers and you … Continue reading Getting ready for Open Studios.
I get asked all the time, who is your favourite artist, who influences your work. I have always said that I don’t have favourites in anything. And I don’t. I don’t have a favourite colour, pen, paint brush, flower, food, drink, tree, friend, child even, you get the picture and I have always chosen not to single out any one item as a favourite. But I do have things I favour. So, I favour raspberries over rhubarb, I favour some artists over others and I favour bright colours over dark, or do I? I am however excited to add Sorolla … Continue reading Sorolla or Bonnard, who is your favourite artists and why?
The following interview was with Michele a member of the amazing Torpedo Factory Arts Center which is situated in Alexandria VA USA. This old munitions plant was founded into an arts center in 1974 and houses the USA’s largest collection of working artists under one roof with 82 artists in their open studios. They attracts around 500,000 every year and you can view a wide variety of artwork including painting, printmaking, sculpture, photography, stained glass, fiber, ceramics and jewellery. 1 Your name? : Michele Hoben 2 Where do you live? : Washington, DC 3 What is your background? : Before … Continue reading Meet the Artist – Michele Hoben
This is a question I am asked a lot but in many different guises. For instance: – “What influences your art?” “How do you pick a theme?” “Do you paint other things?” Or the question can be phrased: – “I can never decide what to paint what do you suggest?” Or my favourite: – “Oh I don’t think I could do make the same piece over and over again, I would get bored, don’t you get bored?” Let me give you some background so that you can understand where the questions are coming from. I teach a variety of different … Continue reading How do you come up with ideas for your artwork?
Following on from last weeks ‘do something which frightens you’ blog post, I am going to be taking part in a really big grownup art exhibition with the Contemporary Art Fair at Sandown Park in March. I have taken part in lots of small shows both here and in the USA, but this is my first really big one. Am I scared, hell yes, I am? But why you may ask? As I said in last weeks blog, it is that not knowing which causes the fear. And there is lots I don’t know about this exhibition. Like: I don’t … Continue reading How to prepare for taking part in an art exhibition
About Making Money! You don’t always have to do something just to make money. Please let me explain. Last weekend I joined a wonderful group of men and ladies, showing my art alongside their beautiful wood creations. The East Surrey Woodturners. Why? Well a few years ago, I visited this group as I have always hankered after ‘having a go’ at wood turning. It looks so satisfying to peel layers of wood away to create a shape to be sanded and polished. This group of men made me so welcome five years ago, that when I bumped into one of … Continue reading About Making Money
This is fundamentally a piece about growing a thick skin. Why because when you have someone say to you, as I did about my work in an exhibition only last weekend, ‘I love your work, but my husband will hate it’. What do you say and how to you let it affect you? We all come to making art in different ways and without doubt at some point we are all hit with or by the same insecurities about being good enough. Which is not helped by those thoughtless remarks. If only we could continue making work like we did … Continue reading Why make art and how to cope with the thoughtless remarks.
Learning from Lewis Nobel Last month (September ‘18) I was so lucky to be able to join the lovely Lewis Nobel for a three-day class in Ashbourne, Derbyshire along with my friend Colette. In fact, it was Colette’s idea to go and I will admit I was concerned about being on a course for three days, miles from home and no knowing if I would A) Be physically able to climb up the hills and down again what with all my back issues of late, B) What if I didn’t like him or the other people on the course, I … Continue reading How to make the most of a course
It seems that the work I produce, on a daily basis, in my concertina sketch book has gained a following. How exciting. With that said, I thought it might be a good area to cover in some of my blogs, with this being the first one. When you go to art school/college/uni, whatever you want to call it, one of the first things that is drummed into you, is the importance of keeping sketch books. Finding what you want to put in those sketch books, is initially, the challenge. Nowadays galleries will display famous artists’ sketch books alongside their finished pieces … Continue reading My Daily Sketch Book Work.