In last week’s blog, I talked about coming up with the designs for the hearts. This week I want to show you how I went about turning these designs into the finished products. These hearts have been made by the very talented Aden Hynes of the Sculpture Studios in Basildon, Essex. He made the moulds and cast the fibre glass hearts. Later this year his team will release a video of their process from cutting the heart shapes through to the finished pieces. I will let you all know when that comes out, but if you want to find out … Continue reading How to paint a heart – Part 2
What’s your background? I have been an artist per se since I was a little girl and have dabbled in lots of different types of creative crafts and art for many, many years, but I finally settled into the type of art I felt was my life calling about 20 years ago. I met David Leffel who is a very famous still life and portrait/figurative artist. He paints & teaches in the Old Dutch Masters style of painting, with Rembrandt as his mentor. I knew at that moment that this was where I wanted my art to be and I … Continue reading Interview with Dee Kirkham
This week’s blog is mainly aimed at those of you who will be exhibiting in some form of Open Studio event in the next few months. Hopefully those of you who love to attend will gain a better understanding of what we put ourselves through to make these exhibitions worth visiting. So, as I prepare in the coming week for my Open Studio, with Surrey Artists Opening Studios, starting next Saturday, 1st June, I wanted to discuss here what you need to do to prepare for this event. You will probably have marketing materials supplied by the organisers and you … Continue reading Getting ready for Open Studios.
I get asked all the time, who is your favourite artist, who influences your work. I have always said that I don’t have favourites in anything. And I don’t. I don’t have a favourite colour, pen, paint brush, flower, food, drink, tree, friend, child even, you get the picture and I have always chosen not to single out any one item as a favourite. But I do have things I favour. So, I favour raspberries over rhubarb, I favour some artists over others and I favour bright colours over dark, or do I? I am however excited to add Sorolla … Continue reading Sorolla or Bonnard, who is your favourite artists and why?
Please introduce yourself. Shirley Ann: I’m Shirley Ann – my other name is Aphrodite – I believe that I am Aphrodite’s envoy to the world at the present time – but we’ll get to that later, and I live in Southern California with my husband and my son Cupid! And what is your background? Shirley Ann: I have a very varied background. I studied French, Arabic, Economics and International Relations as my initial Bachelors and Masters, because at the time I was lined-up to become a diplomat, following in the footsteps of my father; however, when I finished my studies, … Continue reading Meet the Artist – Shirley Ann
https://alisongsaunders.art/blog/ To the uninitiated ‘mark making’ sounds a bit pretentious, but I am not sure what else you could call it without making it sound childish and lacking in skill. The art of making marks to represent the world around us and how we respond to that world, has been going on for thousands of years. Photo source Wikipedia Think caveman drawings. Man has been recording his environment in this pictorial way ever since, but the ‘modern’ form of ‘mark making’ is often not, these days, pictorial. Today, ‘mark making’ tends to be rather more a response to how … Continue reading How to explore ‘mark making’ and get great results.
I start preparing my blog posts on Tuesdays. That way there is time to get my thoughts onto paper, share them with my long-suffering husband who proof reads them, re-read and make more changes and then set them up, usually on Friday evening, to be published for you to read on Sunday evening. This week I had planned to write something completely different but whilst on a group support call with my artist friends in the USA and Hungary, we started talking about what makes us want to get up every day and make art. What is the driving force, … Continue reading MY LOVE AFFAIR WITH COLOUR
If you visit my website and sign up for my newsletter, you will automatically receive my free Guide to Buying Art. You can get yours too by clicking here. https://alisongsaunders.art/about/ As a result of this guide, I have had a couple of conversations with people about framing artwork they have bought unframed, so thought I would share my thoughts on framing too. So, you have been to an art fair, exhibition, gallery or simply found a piece of art which you love. If you are reading this it is likely that your beautiful purchase is wrapped in cellophane, it’s all … Continue reading How to Guide to Framing your Artwork, originals and prints.
It doesn’t really matter where you are on your art journey but being a part of some kind of art group is really valuable. But why? You know that saying ‘no man is an island’? Well, that really applies when making art. If you only have yourself as a reference, then you won’t grow. How can you if all you have is what immediately surrounds you? Visiting galleries and exhibitions is clearly a great way to find inspiration and expose yourself to other artists’ work but being part of a group will help you even more. As a beginner, … Continue reading Why join an art group and what to expect?
The following interview was with Michele a member of the amazing Torpedo Factory Arts Center which is situated in Alexandria VA USA. This old munitions plant was founded into an arts center in 1974 and houses the USA’s largest collection of working artists under one roof with 82 artists in their open studios. They attracts around 500,000 every year and you can view a wide variety of artwork including painting, printmaking, sculpture, photography, stained glass, fiber, ceramics and jewellery. 1 Your name? : Michele Hoben 2 Where do you live? : Washington, DC 3 What is your background? : Before … Continue reading Meet the Artist – Michele Hoben
Just about every artist’s guide book you will ever read, about learning to paint will tell you that you should always use the best paints, brushes and substrates you can afford to use. Starting with paint you will be advised to avoid student paints, at all costs, where possible. The reason behind this is straightforward, particularly when you are just starting out. You never know how a piece of work will turn out, so you want to aim for every piece being the best you can do. Sod’s law, you will create your favourite piece using cheap paint. Student paint will … Continue reading Which artists paints and substrates to use and why?
This is a question I am asked a lot but in many different guises. For instance: – “What influences your art?” “How do you pick a theme?” “Do you paint other things?” Or the question can be phrased: – “I can never decide what to paint what do you suggest?” Or my favourite: – “Oh I don’t think I could do make the same piece over and over again, I would get bored, don’t you get bored?” Let me give you some background so that you can understand where the questions are coming from. I teach a variety of different … Continue reading How do you come up with ideas for your artwork?
This is the first in my series of interviews with artists and artisans who I have met, found to be interesting people and have agreed to be interviewed by me. Please allow me to introduce you to Beáta Bősze. Beáta and I met on-line through group working towards improving our on-line presence in the art world. With five other ladies we meet twice a week to discuss our successes and failures and receive support from each other in moving forward through the often treacle like art-world business. Beáta where were you born and where do you live now? I am … Continue reading Introducing this months artist – Beáta Bősze
Now I know that there are hundreds of thousands of artists out there, many far more talented and better known than me, but even more unknown, just getting started, taking up art for the first time etc. etc. artists who might find my thoughts useful. I don’t present myself as the font of all knowledge here, I am just talking about how I use my sketch book. First of all, why? Why am I sharing this with you? Well it came about because I was talking to someone about the work I produce v the posts I make daily on … Continue reading How to use your sketch book (or how I use mine)
17th Feb 2019 I am asked a lot why I am taking a BA in art. I am up to my neck in producing work for exhibitions etc., I am on the board of a local art group and I teach art to others, so why am I adding extra pressure to my life in this way? The short answer is because I want to, and I can. The long answer is because despite having been surrounded by art all my life, my parents were/are both brilliant artists, I didn’t take the art route, believing that I would never be … Continue reading Why take a BA in art? And how hard can it be?
Learning from Lewis Nobel Last month (September ‘18) I was so lucky to be able to join the lovely Lewis Nobel for a three-day class in Ashbourne, Derbyshire along with my friend Colette. In fact, it was Colette’s idea to go and I will admit I was concerned about being on a course for three days, miles from home and no knowing if I would A) Be physically able to climb up the hills and down again what with all my back issues of late, B) What if I didn’t like him or the other people on the course, I … Continue reading How to make the most of a course
Fairly easily, you would think. And yes, once you have understood about balance and the mathematics of balance it is fairly easy. Well a piece like this one here is fairly easy. This mobile is one of seven mobiles I made as part of my final project for my BA Sculpture course. Throughout the sculpture course, I have been looking to represent elements of the lives the poor farmers in Ethiopia and, in particular, those suffering from Podoconiosis (Podo). This was my way of looking at the balance of their lives. In this piece I have used plastic water piping, spray … Continue reading How to create a Mobile
It seems that the work I produce, on a daily basis, in my concertina sketch book has gained a following. How exciting. With that said, I thought it might be a good area to cover in some of my blogs, with this being the first one. When you go to art school/college/uni, whatever you want to call it, one of the first things that is drummed into you, is the importance of keeping sketch books. Finding what you want to put in those sketch books, is initially, the challenge. Nowadays galleries will display famous artists’ sketch books alongside their finished pieces … Continue reading My Daily Sketch Book Work.
As yet I have not had any of my designs accepted and I might not have any of them accepted, but I said I would share the story, so here goes. I have been involved in painting fibreglass objects to raise money for charities of a few years now. So far, I have decorated two cows for The Surrey Hills Cow Parade, ‘Sher-hock Holmes’ a for the Haslemere Hog Parade and earlier this year ‘Doddy Hare’ for the Haslemere Hare Parade. As a result of this involvement someone asked me to get involved with the St Catherine’s Hospice in Crawley, to … Continue reading Decorating the Heart